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William Blake -- Selected Poems


William Blake: Selected Poems

James Fenton has edited a new edition of William Blake's poems for Faber and Faber. To purchase the collection, please visit the publisher's website at www.faber.co.uk. It is also available from Amazon.co.uk.

 
The Poetry Archive


Click to purchase this CD from the Poetry Archive Website

Visit Fenton's special Poetry Archive webpage and listen to recordings of him reading the poems 'Wind', 'Blood and Lead', 'Jerusalem', and 'In Paris with You'.

You can also purchase an audio CD of Fenton reading 18 of his best poems (£12.99

 
Ian McEwan on James Fenton


"There is a strong case to be made that James Fenton is the finest poet writing in English. His technical virtuosity is beyond doubt; his long experience as war correspondent, journalist and traveller has given him an unmatched range of subject matter - war and revolution, the dementia of collective passions, reflections on fate, and love - he has written some of the most beautiful love poems of our times. He is a poet of great emotional depth and wisdom. Increasingly, his work has a strong connection with song. He also has a taste for light verse of exquisite charm and humour. He is a modern master."

-- Ian McEwan, responding to a question from the National Book Critics Circle

 


James Fenton was born in Lincoln in 1949 and educated at Magdalen College, Oxford where he won the Newdigate Prize for poetry. He has worked as political journalist, drama critic, book reviewer, war correspondent, foreign correspondent and columnist. He is a Fellow of the Royal Society of Literature and was Oxford Professor of Poetry for the period 1994-99. In 2007, Fenton was awarded the Queen's Gold Medal for Poetry.

Fenton's Selected Poems is published by Penguin and Farrar, Straus and Giroux. He is also the editor of The New Faber Book of Love Poems and D. H. Lawrence's Selected Poems (Penguin).

The Autobiography of Benvenuto Cellini


The Autobiography of Benvenuto Cellini, Introduction by James FentonJames Fenton provides a new introduction to the Everyman's Library edition of The Autobiography of Benvenuto Cellini. (Order direct from Everyman's Library, Amazon.co.uk, or Amazon.com)

From the Publisher:

Here is the most important autobiography from Renaissance Italy and one of the most spirited and colorful from any time or place, in a translation widely recognized as the most faithful to the energy and spirit of the original.

Benvenuto Cellini was both a beloved artist in sixteenth-century Florence and a passionate and temperamental man of action who was capable of brawling, theft, and murder. He counted popes, cardinals, kings, and dukes among his patrons and was the adoring friend of—as he described them—the “divine” Michelangelo and the “marvelous” Titian, but was as well known for his violent feuds. At age twenty-seven he helped defend the Castel Sant’Angelo in Rome, and his account of his imprisonment there (under a mad castellan who thought he was a bat), his escape, recapture, and confinement in “a cell of tarantulas and venomous worms” is an adventure equal to any other in fact or fiction. But it is only one in a long life lived on a grand scale.

Cellini’s autobiography is not merely the record of an extraordinary life but also a dramatic and evocative account of daily life in Renaissance Italy, from its lowest taverns to its highest royal courts.

 
Fenton on Kingsley Amis


The Movement Reconsidered, edited by Zachary Leader'Kingsley Amis: Against Fakery.' In The Movement Reconsidered: Essays on Larkin, Amis, Gunn, Davie, and Their Contemporaries. Ed. Zachary Leader. Oxford University Press, 2009. 106-122. (Order from OUP in the UK, US, or Canada)

From the Publisher:

The Movement Reconsidered, a collection of original essays by distinguished poets, critics, and scholars from Britain and America, sets out to show not only that relations between Movement and other post-war British writers were more complex and nuanced than is usually suggested, but that the role these relations played in shaping the current literary scene is important and complicated. Other topics it examines include the origins of the grouping; the role of mediating figures such as Auden, Empson, and Orwell; the part the writers themselves played in promoting the grouping; the interlocking network of academics, journalists, and editors who aided them; and analogous developments in other fields, notably philosophy, politics, and language. The book's ultimate aim is to encourage readers to come to Movement writing with fresh eyes and to gain a fairer sense of its range and power.

 
Eric Ambler's Epitaph for a Spy


Fenton writes the introduction for Eric Ambler's Epitaph for a Spy, published by Penguin.

From the Introduction:

"The job he did on the spy novel -- this is the way he described it years later, in old age, when I interviewed him at his home in Switzerland -- was to take a generally disprized and trashy genre and mike it a thing of some quality."

To purchase, please visit the publisher's website at www.penguin.co.uk. It is also available from Amazon.co.uk.

 
The Guardian
 
The New York Review of Books


James Fenton wrote a series of articles for The Guardian under the heading Things That Have Interested Me.

 


Fenton frequently writes for the NYRB.

His most recent article is "How to Paint Like Titian" 56.3 (26 February 2009) [On Benjamin West and the Venetian Secret, an exhibition at the Yale Center for British Art].

Visit their website for a list of articles ranging back to 1984.

     
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